Customer Reviews
Losing the plot - By: M. Rose, 24 Nov 2008 
Disappointed with this. I have read almost everything she has written as Rendell/Vine & loved about 95% of them.
This seems to be a tale of kindly, beautiful toffs & violent, workshy, envious lower class types. I agree it is a gripping yarn so you do have to keep on reading it to the bitter end but difficult to believein some of the characters e.g. Juliet, Philomena Lynch & of course Ivor himself. How lucky he made such a good recovery from the holein the head (didn't a doctor say it was like having a severe stroke) when Dermot was reduced to a vegetable after the crash. Also RR sems to be a bit too p.c. for me.
Perhaps it's time for her to call it a day.
Its an ok read.... - By: Els, 03 Nov 2008 I bought this book at the airport for a good read for my holiday. I have never read any of 'Barbara Vine's' work but i must say I was left disappointed. I found the story & the concept quite interesting however, I was left with many un-answered questions & quite confusing towards the end.
Classic Vine Suspense - By: Bookwormjo, 03 Nov 2008 
Ruth Rendell, writing under the pseudonym of Barbara Vine steps away from her other novels & manages to create a sense of intrigue & suspense. The Birthday Present, Vine's thirteenth novel, doesn't disappoint & draws the readerin with the story of Ivor Tesham, a rising star of Thatcher's 1980s Government, whose affair with an attractive married woman & his special `present' to her, causes a chain of disastrous events to unfold. The story is told via the viewpoint of two contrasting narrators: Jane, the friend & solid `alibi' for her friend's affair & Ivor's own brother-in-law, a pleasant, unassuming family man who provides a good juxtaposition against Ivor's ambitious & unpleasant character.
I'm a huge fan of all the Barbara Vine novels & I absolutely loved this book & found myself looking forward to bedtime, so that I could curl up with this delicious novel. It's a book that stays with you for ages after it ends & thisin my opinion, is the hallmark of a brilliant writer - long may the Vine novels continue!
Barbara Vine - The Birthday Present - By: RachelWalker, 30 Sep 2008 (I intended four stars but I can't change it back. Oh well.)
The Birthday Present has probably been the book I was most looking forward toin 2008, especially considering how good Rendell's last effort under the Vine name - The Minotaur - was. Sadly, this doesn't get within a long creeping tendril's distance of the quality.
It's early 1990. The Thatcher government it's nearing it's last days, & there's a love affair going on. Ivor Tesham, a thirty-year-old political rising star is secretly bedding beautiful London housewife Hebe Furnal. For her birthday Ivor decides to give her a special present that certain more open couples have begun to engage in: a practice known as `adventure sex'. Hebe is to be abducted, consenting but unknowing of when, at an unknown venue & time, bound & gagged, then delivered to her lover at a specified location... The decision to "treat" Hebe to this fashionable new thrill is one that will lead to tragedy touching the lives of several people, least of all Tesham's.
The Birthday Present is an odd beast among the Vine canon, almost entirely unlike any of her other, which normally feature hidden, secret crimes of the past, dark, cloudy tragedies recollectedin the present or some further point, that gradually become unfolded to reveal something horrific. This, however, is more a political satire-cum-thriller. It is, admittedly, absolutely full of many of the things one would expect of a Vine novel: a brilliant conveyance of the psychology of its many characters, & a demonstration of a remarkable insight into the time-periodin which it is set. The characters, with their weaknesses & leavening normalities, are of course brilliantly written. As is the portrait of a primarily self-obsessed early-nineties era. Vine plays this aspect of the social landscape up, & that is the part which contains the majority of the subtle satire. The novel is brought to usin two parts, the first-person narration of Ivor's brother-in-law, & the first-person diary of Hebe's "best friend" Jane, who Hebe largely used merely an alibi to keep her affair under wraps. Jane is a particularly Vine-esque piece: a lonely, bitter 30-ish spinster whom one would feel utter sympathy for were it not for the fact that her loneliness has made her unspeakably selfish, self-obsessed, & vaguely deluded. Her characters, as ever, are perfect examples of how to place a reader's opinionsin conflict. At times I felt infinitely sorrow & pity for Jane, at times one wants laughs at her and, cruelly, almost believes she deserves herself. Ivor's self-obsession is a slightly different story: his ability to think about anyone but himself or his political career induces nothing but coldness, apart from the occasional wistful brace of pity at his naivety. Ultimately, few readers will care that his political career is bound to come tumbling down, which might be part of the problem. It is bound to happen, but no one cares, which renders the crucial question (and with Vine there is always one crucial question, one that is supposed to taunt the reader throughout, this time that of how the man's career tumbles) almost irrelevant.
Vine also makes good use of questions of fate & chance to inject levels & power & intrigue into the novel, but ultimately any good work is dampened by the ending (much like the latest P.D. James novel), which is disappointing for a reason unheard ofin Vine: simply, there is no surprise. Not even an effort at one. What has been destined to happen all along, turns out to happen, & that's pretty much it. There's a little subplot - that of Jane - to be dealt with, & dealt with it is, but notin a way that has any great shocks or surprises. The fact that everything turned out to be so predictable disappointed me greatly. It's possible that Vine was aiming at something different with this novel, making it more of a criminal satire than a novel of secrets & surprises, but the aspects of satire are not enough to give the novel enough oomph. Vine's strengths are the unveiling of hidden, shocking secrets, the revealing of twisted psychologies, & they really needed to be present here as well. It's a great shame, as I thought the premise was absolutely brilliant: a woman captured from the secret for the purposes of `adventure sex'. It's a great plot-point to start with, but sadly Vine takes her focus elsewhere, which also added to my disappointment.
For Vine fans, The Birthday Present may be a disappointment, but it is still certainly worth a read for its social insights & psychological portraits. It's a good novel, & I enjoyed reading it, but I was just very disappointed that it was less than it could be. Non-Vine fans, or readers who prefer satires or political novels, may well - unclouded by expectation - find much indeed to like here. So, for almost any reader it is certainly one to have a crack at. It is, after all, brilliantly written. And that is a worthwhile pleasure for anyone.
A Good Read - By: Mrs. Anita M. Mcnair, 29 Sep 2008 
Whilst not reaching the heights of A Fatal Inversion or House of Stairs it was far better than some recent Barbara Vine outings (The Blood Doctor/Minotaur/Chimney Sweepers Boy).
The characters are well drawn & believeable but there are a few too many coincidencesin the plot for my liking.
Would these characters' paths really have crossed quite so frequently? Still, a good read though.
